MINNETTE  LEHMANN 

AKA: MALKA
Born: 1928 Sacramento, California
Lives in San Francisco
Education: 
University of California, Berkeley B.A. Sociology, 1949
San Francisco Art Institute, M.F.A., 1972

Minnette Lehmann, born in Sacramento, got out as soon as she could and attended UC Berkeley from 1945-49. There, she married Robert Martinson, leader of the anti-Loyalty Oath demonstrations. Fueled by Marx & Freud, she helped establish Pete Martin’s City Lights Books alongside Maya and Jordan Belson. After leaving Martinson and living in Paris and the Middle East for a year, she returned to San Francisco and taught Kindergarten. She met and married Herbert Lehmann, a psychoanalyst, and became an (agitated) wife/mother involved in the Women’s Movement. She later re-entered the art world using her son’s camera at the SF State anti-Vietnam Demonstrations. She earned an MFA in Photography from the San Francisco Art Institute. After receiving a NEA grant for photos that questioned the institution of marriage, she taught the History of Photography and did studio work throughout the Bay Area. Major shows throughout the 1980s and 90s were Thin Skin at New York's Grey Gallery and Naked Portraits at San Francisco’s Camerawork, and Amazing at the Lab. She did Performance by way of Linda Montano and has finally realized her ambitions as painter, having her first painting show in 2025.

Selected Shows:

2025       Adobe Books, ‘Malka!’, San Francisco
2020       Pro Arts Commons, ‘Invocation Democracy’, Oakland
2016        Krowswork Gallery, Prints and Painting, Oakland 
2013        Margaret Tedesco’s 2nd Floor Studio, ‘Leather Nun Lament’, San Francisco
2010	Richard Taylor Gallery, ‘Friends, Figures and Self-Portraits’, San Francisco
2000	The Lab, ‘Amazing’, San Francisco
1995	The Lab, ‘Millennium Coming: The New Degenerate Art Show, San Francisco
1993	San Francisco State, ‘Roland Barthes’ Camera Lucida’, San Francisco
1991	        Grey Gallery, ‘Thin Skin’ New York
1989	San Francisco Arts Commission Gallery, ‘Without a Trace of the Fear of Death’, San Francisco
1989	LACE Gallery, ‘I Want To Be Perfect for You’ Los Angeles
1988	Aperture/Burden Gallery, ‘The Return of the Hero’ New York
1987	Media Gallery, ‘GoryAllegories’, San Francisco
1986	Houston Center for Photography, ‘Recoding Sexuality’, Houston 
1986	Das ActFoto, ‘The Nude’, Munich, Germany
1981	       Camerawork Gallery, ‘Naked Portraits’ San Francisco

Performance/Readings:
2000	Min-Isis, New Langton Arts, San Francisco
1996	My Affair With Phillip K. Dick, Symposium on Outer Space, Four Walls Gallery, San Francisco
1996	The 2nd Incident: Public Mourning with Linda Montano, The ICA, London 
1993	Feminism: What Kind? Mother Monsters, Women’s Art Project, The Women’s Building, San Francisco
1993	The Sphinx Speaks, The Women’s Building, San Francisco
1992	Christ Mocked Again, St. Mary’s College, Moraga 
1991	        Thin Skin video tape, Grey Gallery, New York
1989	Christ Mocked Again, Artist’s Television Access, San Francisco 
1988	Fashion Death, Camerawork Gallery, San Francisco
1988	Andy Warhol Memorial, Society for Photographic Education, San Diego 
1988	How Lucid is Camera Lucida? The International Congress of Aesthetics, Nottingham
1987	Comic Horror, WORKS Gallery, San Jose 
1987	NipponBurger, New Langton Arts, San Francisco
1986	Julia Kristeva’s Uncanny: Recoding Sexuality in Comic Books, UC San Diego

Published Writing:
1989	How Lucid is Camera Lucida?, “Camerawork” San Francisco
1988	More Gore & When I Was a Boy, Blind Date #6, “Photometro”, San Francisco
'85-87	Theory/Flesh, co-editor with Lutz Bacher and Steve Dietz, Berkeley
1985	Fashion Death, “Ink Magazine 2”, San Francisco
1981	        Art in Everyday Life, (photo editor) with Linda Montano & Astro Artz
1988	Aperture/Burden Gallery, ‘The Return of the Hero’ New York
1986	Houston Center for Photography, ‘Recoding Sexuality’, Houston 
1981	        Camerawork Gallery, ‘Naked Portraits’ San Francisco

Reviews: 

1991   	Stand Up Theory, Elliot Linwood, High Performance Magazine 
1989	Rehearsals for Death, Mark Van Proyen, ArtWeek
1989	Sexual Representation and Feminist Transgression in Film, Video and Photography, Christine Tamblyn
	        Society for Photographic Education, Rochester, NY

Grants:
1975	Artist Fellowship in Photography, NEA